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Film,

Stranger (Complete Film)

‘Stranger’ is the short film based on my recently published short story entitled ‘A Stranger Among Us’.

 

In June 2015, ‘Stranger’ had its World Premiere Screening at the Niagara Integrated Film Festival

 

Synopsis:

A stranger observes the home of David and Janine from across the street. Bathed in darkness, the man makes no movements. He simply watches.

Beset by a dark secret long kept dormant, David and Janine’s seemingly happy marriage will be tested by this stranger.

But by confronting their past, this enigmatic watcher may be the least of their concerns.

 

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Music, Music Analysis,

Radiohead’s ‘In Rainbows’: Media Ploy?

When Radiohead released In Rainbows in 2007, the band made the decision to distribute the album through download for whatever price the consumer decided upon.

It was a decision that rocked a music industry already ravaged by the onslaught of digital downloading.

Was Radiohead constructing a new method of how music was to be received in the digital era?

It was a choice that perplexed many but intrigued others.

But here’s the issue, would Radiohead have attempted this experiment if it had been their debut album?

Considering this was their seventh album, Radiohead had the financial security to experiment with the original blueprint of how music could be released and digested.

In essence, Radiohead was a mainstream success already, so how much actual risk was involved with the experiment?

In fact, this idea was brilliant in its marketing tactics, and probably gained the band extra (financial?) incentives as a result of all the publicity garnered around their decision. What better way to conjure up attention for an upcoming album release than to announce that you are distributing it in an entirely new and innovative way.

The idea alone was enough to create a full-blown buzz within the industry, and Radiohead took full advantage of it.

They seem to comprehend how the traditional marketing wheel spins.

 

The Smashing Pumpkins

 

As innovative as Radiohead’s approach was to releasing In Rainbows, it should be noted that The Smashing Pumpkins released their sixth studio album, Machina II/The Friends & Enemies of Modern Music back in September of 2000 (7 years before In Rainbows) as a free download.

Though it wasn’t a great success at the time (which may be why it tends to get forgotten), it may be the first example of a band using the internet as a way of marketing and releasing an album without the benefit and support of a record label.

In fact, the main reason why The Pumpkins released the album online for free (through Corgan’s own label) was because their previous record label was not exactly eager to release it as a result of the band’s recent lack of album success (Adore, The Machina/The Machines of God).

In an interview with Ultimate Guitar in 2010, Corgan was asked if he knew how impactful this decision was to be over the coming years.  Corgan responded with, “Not really. At the time I saw it as a one-time thing. I never thought we would see a near collapse of the music business and its dominant control on how music reaches people”.

This model was definitely popularized by Radiohead, but it seems that Corgan was beginning to understand the capabilities of what the internet could do…Even back in 2000.

 

a99d
Music Reviews,

Beady Eye – Different Gear, Still Speeding

Album: Different Gear, Still Speeding

Label: MapleMusic Recordings/Dangerbird Records LLC

Rating: 3.5/5

 

Just as Oasis’ “Rock n’ Roll Star” (the first song off of their debut album Definitely Maybe)provokingly slapped you across the face with that ‘pay attention to me’ audacious sneer, Beady Eye’s introductory album Different Gear, Still Speeding brazenly confronts the listener in much the same way with the opening track “Four Letter Word”. The song embodies such a feeling of insolent audacity that you can’t help but feel a tad let down by the sentimentality the record seems to lean towards from there on out.

Following the great opening track, the album tends to vary between sounds inspired by The Beatles (not really shocking), The Rolling Stones, The Kinks, and even Jerry Lee Lewis. Clearly influenced by the 1960s, the album teeters on greatness, but yet seems to fall short as a result of a couple of forgettable tracks like “Millionaire” and “Kill For A Dream”.  Also, marred by some unmemorable lyricism from the song writing team, the album does seem to lack that Noel Gallagher expertise of infusing meaningful lyrics with a particular poignancy.

But one must remember that this is not Oasis, and the album should be treated as an entirely separate entity. With this in mind, the ex-members of the aforementioned group (Liam Gallagher-Vocals, Andy Bell and Gem Archer-Guitars, and Chris Sharrock-Drums) still do achieve something special. Through its simplistic approach in presentation, the album incorporates a very back-to-basics sort of rock n’ roll, which is defined through the incorporation of rudimentary drum patterns and basic guitar riffs. And for a group as legendary as Oasis, this return to the basic modes of musicality is definitely the most logical step for the new band.

Different Gear, Still Speeding is not without its flaws, but Liam and the boys do prove that they have the ability to step out onto their own and craft an enjoyable listening experience.  And in the long run, isn’t that the most important thing?

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Music Reviews,

Jeff Martin 777-The Ground Cries Out

Album: The Ground Cries Out

Label: Riverland Records

Rating:   4/5

 

With over 20 years of experience in the music business, many of those years highlighted as frontman for The Tea Party, one would assume that Jeff Martin understands what he wants when constructing an album.  With his latest endeavour, a three-piece band entitled Jeff Martin 777, Martin and company conjure up (at most times successfully) a vivid and alluring musical landscape that permeates across the eleven song track list of The Ground Cries Out.

Some of the tracks, like “The Cobra” and “The Pyre”, seductively entwine the listener’s ear with a hypnotic, murky eeriness, while songs like “The Ground Cries Out” (First Single) and  “1916” incorporate a boot stomping, heady grooviness that strikes the cochlea instantaneously.

If you know anything of Martin’s previous works, he has typically been quite fixated on lyrical inspiration from occult themes and Pagan influenced literature, but Jeff Martin 777 manages to keep it light on “Queen of Spades” and “Riverland Rambler”, and even finds the time to include two relatively short but nonetheless mesmerizing musical interlude pieces on tracks six and eight.

But as much as it is admirable to applaud the band’s incorporation of diverse sounds and thematic issues, it’s also very difficult to ignore the simple fact that some of the more easy going songs, especially “Riverland Rambler”, don’t seem to quite gel with the overall sound of the album.  Yes, they are having fun with them, but the jovial light-heartedness the band is highlighting slightly undermines the overall effectiveness of the darker themes featured on the album. At times, the listener is pulled in many conflicting directions by the wide array of variety.

With this being said, it’s hard to fault the rejuvenated sounds emanating from Martin’s voice. He is definitely excited about this album, and his enthusiasm elevates The Ground Cries Out to a level he hasn’t ascended to since his time with The Tea Party.  This is an album that truly grows on you with each additional listen.

Scary
Fiction,

Fear the Night

…As I lay cowering beneath the window sill of my bedroom, my mind races relentlessly. Did IT see me? No…it’s impossible…but then suddenly it arises. An unearthly howl so terrifying that, like wind through a keyhole, it penetrates my very sanity. IT is coming for me…it is only a matter of time.

I remain as still as possible, fearful that any movement will alert the presence lurking just steps away. But my rigid determination is all for not. In a matter of seconds the front screen door situated beside my bedroom, normally a solid protector from the forceful elements of the outside, is ripped from its hinges with the unholy grace of evil unleashed.

I frantically scan the room for any possible instrument useful in a confrontation against an abomination, but nothing is my revelation. As the sweat pours from my brow, the front door gives away as if it were a weightless feather rather than a guardian protector.

Again the howls arise. The hair on my arms defies gravity as my eyes bulge from their sockets. There are footsteps now. Many footsteps! Loud crashes from the hallway as vases, picture frames and mirrors are thrown to the ground with relentless force.

IT knows I am here…THEY know I am here.

I quickly leap up and bound across the room, barricading myself against the door. As I hold my breath, the first attack comes. A fist flung against the door so forceful that it flings my body across the room. Landing awkwardly against an armoire, I watch in horror as a second blow strikes the splintering door.

A ghastly hand, marked by gnarled scars and oozing sores, smashes its way through the door as I awkwardly retreat back towards the window sill. Fragmented pieces of wood fall to the ground as I look on in stark terror. From the depths of the darkness beyond, a sneering and menacing smile arises from the beast. ITS maliciousness manifested by ITS glowing crimson red pupils. ITS tongue seductively moving about as if already savouring the feast.

I watch in horror as the door is flung away. An unimaginable entity appears in the doorway…and then another appears behind IT. As IT enters the room, bowing to enable ITS ten foot frame access, I know it’s the end…but suddenly my gaze is diverted away towards the corner of the room. Something shiny has caught my attention, and my eyes remain fixated on it even as my soul embraces its impending doom.

A baseball bat, divinely propped up against the wall a mere five feet away, is my mind’s focus. In my initial frantic exploration of the room, the bat must have averted my eyes. Or did it? Without a moment of hesitation, I scramble towards the corner.  As I grab the bat and begin to grip it tightly, I hear multitudes of laughter directly behind me.

I bow my head and close my eyes.  This is not my time! This is not my time! I slowly turn around to face the evil…

 

What if zombies, werewolves and vampires actually did exist in this sort of form? As if the minds of Stephen King, Dean Koontz and George Romero actually concocted some sort of truth to our myths.

What if we did exist in a form of fiction that we normally take for granted? What if we were locked up in a house as hundreds of zombies mulled about outside? What if a vampire overtook our small town and it was up to us to stop it?

What If our general idea of normality wasn’t so normal tomorrow? How would you handle it?

adc
Blog,

What Did You Do This Weekend?

 

^^I apologize in advance to technology, as I am currently listening to Radiohead as I write these words.

 

There is no denying the fact that our world has become consumed with itself*. We pride ourselves on highlighting everything we do, whether it be from the fantastic to the downright mundane. We feel the need to share everything with everyone. Now, before there is any doubt, I AM a fan of social media**. I have a Facebook and Twitter account, and I tend to check it at a compulsive rate. I am a curious individual who is interested in the world around him. But here’s the thing: Where did privacy go? With the emergence of social interactive sites like Facebook and Twitter, the world has begun to grow smaller while simultaneously increasing in population.

 

I once remember a life without the internet. A life where I had to actually open up a book and research material for an important school project. A time in which I had to actually (physically) go to the local cinema in order to view a movie, let alone an actual movie trailer (instead of lying on the couch and flipping open my laptop or phone).

 

I remember fondly going to the music store to purchase CD’s, as there was no other way to purchase music at this time (Although, a few years away, Napster and Limewire existed in the premonitions of James Hetfield and Lars Ulrich).

 

But perhaps the greatest loss I feel with the progression of technological achievement is the absence of one simple question: “What did you do this weekend”? Remember back in school (If you are above the age of 25) when you would say goodbye to your friends on a Friday knowing you wouldn’t see some of them again until Monday. You had no idea what they would be up to for the next two and a half days***. But I remember always looking forward to seeing them prior to first period on that Monday, and asking them, “What did you do this weekend”?

 

This question rarely circulates amongst casual, social conversations these days, and it is because of our new found obsession with interacting socially through the use of technological devices.

 

Don’t get me wrong. I am well aware that the citizens of society still do vacate their homes, at times. And Facebook is great at helping to coordinate events ranging from weddings to birthday parties. But what I am attempting to verbalize is that we, at all times of the day, know what our friends are doing. It is not simply just about the weekend-there is no mystery about our lives in general****.

 

For example, we know that two of our friends are going to the movies on a certain night because they have posted it on their Twitter account. We also see that they went to a party afterwards because of the pictures posted on the Facebook news feed a day later. Our friends post the pictures because they want to share those moments (that have no bearing on our lives) with US. And of course we ‘creep’ the pictures because that’s what we do as human beings. We’re curious creatures by nature*****.

 

Our world has evolved greatly since the inception of the Internet (both positively and negatively), and with it, social media and the emergence of highly advanced cellular phones. But yet, I still have no desire to return to a time once lived******. Yes I do sometimes yearn for simpler times, but I am well aware of all the advantages the present is providing for me.

 

With this being said, though, there are still moments that I wish I could ask, “What did you do this weekend?” without secretly already knowing the answer.

 

 

*The fact that devices are called iPod’s, iPads, and iPhones help to highlight society’s transition into the “I” generation

 

**I truly feel that it helps to connect the world. I can talk to a friend in Australia without ever worrying about long distance charges.

 

***Cell phones were a rarity. And text messaging did not exist.

 

****For this reason, high school and college reunions have become a pointless tradition.

 

*****But it does seem to have become more rampant than ever these days.

 

******Mainly because I understand that that is impossible to achieve.

 

 

abd
Blog,

Is Modern Day Music Timeless?

 

What makes a band timeless? I was posed this question recently, and to be honest, I was unsure of how to respond. The reason being was that I don’t exactly know why a band becomes timeless in the first place. But I couldn’t admit this as a pop culture writer, so I came up with an answer that I agree with, but don’t necessarily fully accept.

 

Here is the basis of the discussion: In my friends’ estimation, there is no band from the recent era that can be considered timeless or unforgettable. Music acts like The Beatles, The Rolling Stones, Led Zeppelin, Pink Floyd, and Black Sabbath are all considered timeless, influential, and legendary. Is there such a thing in the modern age?

 

My answer to this statement came down to one specific trait: Originality of the band. Back then, no one had ever heard anything like The Beatles or Zeppelin. They were building a foundation (a new set of rules) in which all other music would be compared to. Whereas bands existing within movements like Grunge and Britpop in the 90s (like Nirvana and Oasis) were a combination of preconceived genres of music. Society had witnessed music like this before, just in different forms.

 

Now granted, I understand that rock n’ roll would not exist without The Blues. So, in a sense, the rock n’ roll bands of the 60s and 70s were infusing blues with heavy guitar riffs and the sweet swagger of sensual lyricism.

 

But rock n’ roll became a defined idea as a result of this influential era of music. So, if a modern day band attempts to do something different, it becomes very difficult to divert far from the blueprint that was the classic era of rock.

 

Thus a band being timeless in this day and age is, perhaps, an insurmountable task. To break away from the original model and to create something truly innovative is a feat that is perhaps impossible. Bands from all eras will forever be memorable to a certain group of people (eg. music from the 90s will always hold a special place in my heart because it existed during my transition from adolescent to adult. It became the soundtrack to my life). But bands we loved growing up and bands that are timeless are two completely conflicting ideas.

 

Are bands like Nickelback or The Killers timeless? Will they ever be? It’s pretty difficult to answer that question now, but I honestly don’t think they are (Popularity does not always guarantee immortality).

 

In the internet age of music, bands have become prominent more for their singles than their albums. For the majority of present-day music buyers, downloading has become the norm. This, in turn, has led to an increase in sporadic, isolated song purchases rather than the purchasing of an entire album. Instead of having hit records, the band is relegated to hit singles (digital in form). The band becomes known by those songs and those songs alone.

 

In this case, the sum of the parts does not equal a whole.

 

You also need to tie in the corporate side of things. With music sales at an all time low, record labels need to do all they can to make a pretty penny. As a result, they tend to exploit a sure thing. A singer like Britney Spears* is not timeless, but rather a commodity that is packaged and sold to music listeners. She was extremely popular for a time (and still is but not to the same degree), and thus many acts arose in an attempt to cash in on her success. Remember when Christina Aguilera, Jessica Simpson, and Jennifer Lopez all blew onto the scene? It was exploiting what was successful.

 

Though record labels have always been guilty of this procedure, it is more prevalent than ever in the digital age. And, as a result, when a label is solely concerned about finances, originality becomes a lost cause.

 

So have there been timeless bands over the past 20 to 30 years? Depeche Mode? Nirvana? Pearl Jam? Oasis? I can think of perhaps one-Radiohead. And the reason is because they are doing something unique and imaginative. However, on occasion, I have referred to them as the modern day Pink Floyd.

 

So it all comes back to originality, which in all honesty, is probably not the only answer. If there is an answer at all.

 

 

*Though I hate to use pop music as an example, I still think it works in this situation as she seems to be the most talked about “musician” of the past 20 years. But her “timelessness” is very difficult to assess. Is she truly influential towards other musical acts, or merely a product exploited for the purpose of economics?

 

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Blog,

The Rock n’ Roll Cliché: A 6-Step Program

 

If you know anything about me, you’ll know that I am quite intrigued with the idea of the rock star. My captivation is not solely fixated on the music, however, but on the lifestyle personified by the musicians. Their carefree rebelliousness fascinates me to no ends. I am a mesmerized child merely watching the show that is the rock star life.

 

However, I have noticed a trend within rock stardom that now borders on cliché. After watching many hours of VH1’s Behind the Music, and by reading countless musical autobiographies, I have come to the conclusion that a rock star’s life follows a traditional path. Let me illustrate my 6 points.

 

A Dream- Every child has a dream of becoming a rock n’ roll star. This is why I air-band.

 

A Struggle to Succeed- I will do anything I can to get to where I want to be. I will play your high school prom because one of the student’s third cousins cleans toilets at EMI. Please take my Demo tape. Yours truly, Garth.

 

Success- Got signed and now I’m opening for Soul Decision…Jealous?

 

Excess- Let the party begin. Drugs, alcohol, money, women, STD’S.

 

The Fall- I knew hanging out with Scott Weiland was a bad idea.

 

Redemption or Death- I’m out of rehab, and have returned with a successful album thus allowing me to come full circle. Or I have died from my addiction.

 

These 6 steps mark the trajectory of a rock star’s career. Well, the one’s we seem to care about. Here are just some of the musicians that have ended the 6 step program with redemption: (In no particular order)

 

Anthony Kiedis, Scott Weiland, Slash, Courtney Love, Keith Richards, Eminem, Johnny Cash, James Hetfield, Dave Mustaine, Eric Clapton, and Motley Crue.

Here are just some of the musicians that ended the 6 step program with death: (In no particular order) Elvis Presley, Jim Morrison, Kurt Cobain, Layne Staley, Shannon Hoon, Jimi Hendrix, Janis Joplin, Keith Moon, John Bonham, Rick James.

 

It’s as simple as this.