Album: The Head and the Heart Label: Sub Pop Rating: 3.5/5 It was bound to happen. What with all of the recent mainstream success of folk-rock acts like Fleet Foxes and Mumford and Sons, it was only a matter of time before other similar sounding groups began to emerge from musical obscurity. Enter
Album: Suck It and See Label: Domino Rating: 4/5 It’s never an easy undertaking to predict the sonic structure of an Arctic Monkey’s album. Their first two LP’s, Whatever People Say I Am, That’s What I’m Not and Favourite Worst Nightmare, were hyper-frenetic garage rock anthems while their third album, Humbug, was largely inspired by
Album: Destroyed Label: Little Idiot Rating: 3.5/5 Populated by desolate and dour soundscapes, Moby’s Destroyed eerily captures the essence of emptiness. Basking in haunting structural tones and textures, his tenth LP obsessively consumes itself with the re-creation of the fantastical elements of sleep deprivation. In fact, the electronica mastermind defines his latest release as
Album: Give Till It’s Gone Label: Virgin Rating: 4/5 Ben Harper’s Give Till It’s Gone is quite simply a quest for understanding. A self-reflective journey navigating throughout many musical genres, Harper’s tenth LP (largely a solo effort) is a melancholic exploration ripe with rhythmic bliss. Throughout its duration, a clearly emotionally ravaged Harper passionately
Album: Holding Onto Strings Better Left to Fray Label: Wind-up Rating: 4/5 Pain is a trait rarely desired. But when it helps to creatively fuel one’s own art, it can then be understood as an acceptable and worthwhile attribute to have. Seether’s Holding onto Strings Better Left to Fray is a painful expression of